Tag: poems by Indrani Perera

  • Poetry d’Amour

    IP - Poetry d'Amour

    WA poets Inc do so much to promote and support poetry both in Western Australia and Australia through their poetry competitions, the Ros Spencer Poetry Prize and Poetry d'Amour, and their accompanying anthologies. Back in 2019, I entered the Ros Spencer Poetry Prize and they publish my entry, Recipe for a Poem in the Brushstrokes anthology. It was a huge boost for a poet who was just beginning to flex her writing muscles again.

    I am so pleased that after entering this year's Poetry d'Amour competition, two of my poems – Liquefy and The Ocean of You –  have been published in the 2023 Poetry d'Amour anthology.It's a huge honour! Thanks to WA Poets for publishing my poems and to the judges of the prize for reading my work.

     

  • At the Foothills of the Dandenong Ranges

    IP - At the Foothills of the Dandenong Ranges 1

    IP - At the Foothills of the Dandenong Ranges 2

    I am so excited to be rubbing literary shoulders with Jill Jones in the latest issue of Jacaranda Journal.

    In this gorgeous literary journal you'll find works by some incredible poets as well as my poem, At the Foothills of the Dandenong Ranges. I thought about writing 'including my poems' but I don't know if I'm an incredible poet yet or someone who is still learning how to say in words what she is feeling. In fact, I suspect that no matter how many poems I manage to have published in journals I'll always feel like a toddler learning to speak!

     

  • Complicit: A Visual History of ‘Australia’ Since Invasion

    IP - Complicit

    Complicit: A Visual History of ‘Australia’ Since Invasion is my first foray into what I am calling text art.

    I've been thinking about Australia's history and the way it and any history warps and shifts over time depending on who is telling the story.

    When I was in primary school the official history was that the settlers discovered a fertile land inhabited by nomadic hunter gatherers who didn't farm or manage the land in any way. Those same settlers couldn't believe how fertile the soil was and I was taught that we got rich 'on the sheep's back'. What I wasn't taught was that the Australia's Indigenous Peoples had the world's oldest surviving Cultures and that they used sophisticated land management techniques to live in harmony with and care for Country. I also didn't learn at school about the massacres, the stolen generations and the brutal and bloody Frontier Wars.

    This poem was an attempt to rewrite the history I had been taught in a concise format. There are many layers to any story and I decided that a visual representation would carry what I was trying to say. I wanted the poem to look like it could hang on the wall of an art gallery so I also wrote design notes like you see hanging next to paintings at the NGV. 

    Axon: Creative Explorations is an online journal published by the University of Canberra and I was so excited when the guest editor, Caren Florance, choose this poem for Issue 13.2. I am huge fan of Caren's work and I own her poetry collection, Lost in Case, which was published by Cordite Books. Working with her to refine my poem and write the Contextual Statement that appears at the end of the poem was a wonderful experience.

     

  • Shoot The Breeze

    IP - Shoot the Breeze

    Shoot the Breeze, this anthology of poetry published by Girls on Key is pretty special to me. Not only does it include one of my poems which is a huge honour, it also contains a poem written by my younger daughter, Miss Twelve. Like most parents, I think my girls are amazing and super talented so it's nice to know that other people feel the same!

     

  • hakara

    HakaraSeeing poetry in other languages really excites me. I only speak English with a smattering of German, Spanish and Sinhala (which I cannot read, yet!) so I can't understand the letters I am reading. Nevertheless, my eyes drink in the beauty of those different words while my mind wonders if shaping them on my tongue and sending them out to catch a breeze will change the way I think or see the world.

    I love the shape of languages that don't use the Roman alphabet that I grew up with. Those upright and proper letters shaped my body around the page and the act of recreating it with my hand.  Unlike the Sinhala script of my father's first language which is all curves and swoops. It bends into the page as if it were still the palm leaves that were originally used to write upon.

    Given my fascination with languages other than English, you can imagine my excitement when I discovered the Indian journal, hākārā, which publishes poems in both Marathi and English. It's a bilingual online journal of creative expression. As well as a peer reviewed journal that encourages the 'innovative nature of literary and visual images, critical artistic practices and developments that inform the contemporariness of the medium.'

    When I saw that they had an open call on the theme of repetition, I set to work to write some new poems. I've come a long way in the years since I first attempted to write a poem in response to a journal's theme. Now I know to come at it sideways. To peer at it through blurry lenses. To flip it upside down or turn it inside out.

    It's hard to describe or explain the process in more detail but I must have done something right because they liked what they saw! You can now read my two poems, $7.86 and Iteration (October 2022) over on the hākārā website.