Tag: performance

  • Slamtidote

    Love vs Autumn (Slamtidote) Cover

    Slamtidote is a newish poetry gig bringing poetry and spoken word to Naarm. It's a collective that puts on a monthly gig, held in secret locations. Once you've booked your ticket (and there are free options) you have a pass to a fabulous night of poetry, art, food and music.

    I read my poem, Notes from Diaspora on Returning 'Home',  to the haunting guitar of Bird Girl. It was the first time I've read my poems accompanied by music. It was an incredible experience with Bird Girl improvising the accompanying melody after hearing a line or two of my poem.

    As well as the performances during the evening, Slamtidote also published a zine for the event, filled with poetry and art from some incredibly talented poets and artists. I was super chuffed to have one one my poems included in the beautiful chapbook.

    The secret venue was gorgeous – festooned with fairy lights and red heart balloons. There was warm food in the Indian Dhaba out the back serving dahl and rice. Plus market stalls with books and art. Something for everyone in fact! Slamtidote is most definitely a great new addition to the poetry scene in Naarm!

     

  • Poetry and Tea

     

    IP - Poetry and Tea 1

    After teaching my eco-dyeing workshop in Niddrie on Sunday, I headed to the Beit e'Shai Teahouse and Pop-Up Gallery in Preston for an evening of tea, tunes and poetry.

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    Shiralee Hood was our wonderful MC. Farhad Bandesh sang songs in Kurdish to Yusuke's improvised guitar. All while Nadine served us drinks and snacks and Tara worked in the kitchen to brew more tea. Rasha Tayeh, a Palestinian herbalist and nutritionist, has created a beautiful space in which to meet new friends and drink tea. Everything about the teahouse feels intentional and beautiful.

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    There was a green room for the performers where I got to hear the musicians rehearsing and our MC running through her lines.

    A green room! How rockstar is that? Having a place to sit with other performers and prepare was amazing. And Rasha bought us her hibiscus tea and snacks from the Vietnamese restaurant next door that came on real plates. It felt so supportive to have a dedicated space for performers to focus on their work before sharing it with an audience. It's the first time I've ever had a green room – I could get used to it!

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    IP - Poetry and Tea 5

    I performed poems about the diaspora experience and the legacy of my mixed race heritage. I wanted to bring all the facets of my being – the food, the language, the culture and the ways in which they inhabit my mind and body.

    I think it was my best performance ever. Rasha created an intimate, safe and welcoming space. And the audience was warm and supportive. I felt at home in the teahouse with this incredible community and my words flowed easily.

    IP - Poetry and Tea 7

    I haven't been writing lot of poetry this year. With all that is happening in the world at the moment, writing poetry feels frivolous and like an indulgence. Here I am safe from harm while other people are starving or are being slaughtered. Genocide is happening in Palestine and our leaders are doing nothing. We petition and protest and we march and still our leaders don't listen.

    So me performing poetry, what's that about? How's that going to help anyone? These are some of the questions I was wrestling with after I accepted Rasha's invitation to perform at the Sunday Sessions. I said yes because I wanted to support her business and her community by giving my time and performing. But still, what good would it do?

    And then I thought, what would I say to someone else if they asked me:  'What is the point of performing/writing poetry if other people are suffering?' And my answer would be 'Your voice is important. What you have to say matters.'

    If we can speak, then we should. About whatever it is that we want to share.

    It's the only way we'll ever be able to understand each other.

     

  • Sunday Teahouse Sessions

    IP - Beit e'Shai Sunday Teahouse Session #1 copy

    Coming up on Sunday 17th November, I will be performing my poetry at the Beit e’Shai Sunday Teahouse sessions.

    Beit e’Shai means House of Tea in Arabic and it is the creation of Palestinian nutritionist, herbalist, artist and independent researcher, Rasha Tayeh. I first met Rasha at a market when I was buying her wonderful tea. 

    I am so delighted to be reading my poetry at the new Beit e’Shai PopUp Teahouse and Gallery in Preston.

    Come along and hear some poetry and tunes and of course drink some tea!

    Book a ticket now!

     

     

  • The Last Dance

    IP - The Last Dance 1

    Last night I attended the last ever Radio Laria poetry evening at Open Studios in Northcote. Open Studios is a fabulous little venue that has been hosting and supporting independent and emerging musicians and artists for the last fifteen years. Sadly they are going to close at the end of the year due to a lack of funding.

     

    We had all the feels with a packed open mic and as usual, great features curated by our hosts, Laura, Emma and Anke.

    Thanks for all the good times, Open Studio! You'll be missed.

     

     

  • Perc.U.Lations

    Perc.u.lations

    Anke Mclean is the fabulous host of a little known poetry open mic held in Dandenong and she recently asked me to come along and be featured poet. I was delighted to accept and spend some time back in the old neighbourhood. I spent my primary school years living in Noble Park North with my parents. Every Friday night Mum would do the weekly grocery shop at safeway in Dandenong while I read a book in Myer. Afterwards we would have dinner at the Light of Asia Indian restaurant which was the closet thing we could get to Sri Lankan cuisine back in the early eighties. I always had gulab jamun for dessert.

     

    Kafé on Hemmings in a delightful cafe and their folded eggs on gluten free toast was divine as was their strawberry matcha latte. I wasn't expecting there to be soma ny tasty things on the menu that I could eat!

     

    But what about the poetry I hear you ask? Well there was poetry. Lots of poetry. The afternoon begins with an hour long writing workshop for anyone wanting to learn more about writing poetry. Then there's an amazing open mic of poets from all over including the Mornington Peninsula and Gippsland. And Anke who is an mc extraordinaire. And the guy whose name I've forgotten but he always ends the afternoon with his guitar and three songs. 

    I got to do two, fifteen minute sets of poetry. I read from my second collection, pas de deux, which is about connections to place, family, motherhood and nature. I also performed some of my more recent work which has started to look at the legacy of my mixed race heritage. These newer poems have also started to play with form and are long and more detailed than my earlier work. I really enjoyed performing at Kafé on Hemming, its a lovely venue and the staff are terrific!

     

  • Chess

    IP - Chess 1

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    IP - Chess 4

    I think I must be going through a theatre phase.  This is the third production have seen in the last month and I can't remember how many I've seen this year. It's a lot!

    We lived around the corner of the National Theatre in St Kilda for almost six years and never managed to step inside this gorgeous old grande dame. She's a bit run down but I think it that only adds to her charm. The foyer and sweeping staircase are fabulously over the top and ornate. I felt as if I should be wearing diamonds and a sweeping ball gown as I posed for a photo with my gloved hand resting lightly on the bannister.

    I saw my first production of Chess in Sydney when I was in my teens. At the time I loved it so much I bought the jumper! Last time I visited my folks in Canberra, Mum was wearing it around the house. So it was well worth the I'm sure exorbitant amount we paid for it back in the day. There wasn't a lot of merch on sale at this production by CLOC and I even resisted the urge to buy a program because a) I never read them and b) we are about to move to a smaller house and I need to get rid of stuff, not buy more of it!

    IP - Chess 5

    I have to admit I wasn't expecting much from an amateur theatre production group but I am more than happy to say that the production was excellent. I know that's a bit snobby of me but it's been a while since I've seen amateur theatre and I had forgotten just how darn good it is. The set was fabulous with huge moving parts that slid across the polished floor. Both the floor and this blocks would light up at different times. Two huge screens flanked the stage and a third was located at the back. Live footage from the production was streamed straight on the screens.  and filmed b 

    The costumes were fabulous

     

     

  • Moulin Rouge

    IP - Moulin Rogue 1

    IP - Moulin Rogue 2

    IP - Moulin Rogue 3

    I think this is the best production I have seen in the last couple of years. It was totally different from Death of a Salesman which I saw last week. The Regent Theatre on Collins Street was the perfect venue for Baz Luhrmann's Moulin Rouge The Musical with its gothic styled lobby and Louis XVI style auditorium. Built in 1929, the Regent was designed by Charles Ballantyne and was a movie theatre or as they were called in those days, a picture palace. It's one of six theatres that make up Melbourne's East End theatre district. The whole place was decked out in red to recreate the famous Moulin Rouge nightclub and take the audience back in time as soon as they stepped off the street and through the doors.

    IP - Moulin Rogue 4

    We arrived early and saw some of the actors come out on the stage and start lounging around the incredible set. One of those times when it pays to be early! This production was magnificent. The sets were fantastic, the costumes sublime and the actors brilliant. The choreography was incredible (those dancers, those moves!) and the songs were fabulous – snippets of everything from The Sound of Music to A-ha's Take on Me and Adele's Rolling in the Deep. The lines were used to great effect and the timing was impeccable. It was funny, poignant and heart wrenching. The musical had it all.

    I walked out on a post-show high like I haven't experienced since I was in my twenties and first saw Slava's Snow Show in London's West End. If you've got some cash to spare or a birthday coming up, grab tickets fro this brilliant production before it ends in mid November.

     

  • Death of a Salesman

    IP - Death of a Salesman 1

    In the last year or so I've been going to the theatre again. When I was a teenager I would attend every performance put on by the Canberra Repertory Society and the Canberra Philharmonic. I've felt that there's something magical about a live performance. The greasepaint and the the actors treading the boards. The spotlights and the orchestra. And that magic happens when the curtain rises and you're transported to another world.

    Miss Seventeen has been studying The Crucible for school this year so when I saw that Death of a Salesman was coming to Melbourne's Her Majesty's Theatre, starring Anthony LaPaglia in his Australian stage debut, I just had to get us tickets. Unbelievably I've never seen an Arthur Miller play so I was super psyched to see this production. After all, Miller is known as one of the greatest American playwrights of the twentieth century.

    Given the title of the play I wasn't expecting an uplifting afternoon but it wasn't as bleak as I thought it would be either. It was more of a slow burn with characters and moments that stayed with me after the play was over. La Paglia's performance was quiet and understated. The standout for me was the actor playing his wife – Alison Whyte in the role of  Linda Loman. Her performance was powerful and painful.

    The play was a combination of delusions, dreams, memories and events that played out against a set of bleachers for a baseball game. The actors not involved in the scene sat in the stand instead of being offstage and played the part of the crowd for the game. The story of Willy Loman, the travelling salesman was tragic in every sense of the word and it's easy to see why the play is so famous. What's not so easy to fathom is why it is so popular given its scathing commentary on the unobtainable nature of the great American dream.

    Part way through the second half there were some technical difficulties that stopped the play and dropped the curtain. Just before the play recommenced, La Paglia came out on the stage to tell us an anecdote about being on the set of a Miller production. Apparently there were a whole heap of magazines on a table and one had Marilyn Monroe on the cover. The cast would always hide the Marilyn magazine when Miller visited the set except one day they didn't. They all anxiously watched Miller, wondering if he would spot the magazine. He did, flipped through the pages, read a bit, closed the magazine and said, "Well you learn something new everyday.'

     

  • Poets Are The Best People

    IP - Poets Are The Best People 1

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    One of the best things about attending the Perth Poetry Festival was meeting so many wonderful new people. The audiences were warm and encouraging, my fellow performers were welcoming and friendly and the volunteers and WA Poets Inc folks were supportive and helpful. My whole trip to Perth was so nourishing and inspiring because of all of these beautiful people.

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    I love talking to new people and hearing their stories, views and opinions. It was wonderful to finally meet instagram buddies Scott Patrick Mitchell and Lisa Collier in person. And to meet Gary di Pazzio and Shey Marque from WA Poets who worked so hard with the rest of the crew to make the impossible possible. To see Laksnhmi R Kanchi again and visit the beautiful wetlands where she was a poet in residence. To talk art with Yael, see Gillian's friendly face in the audience, go for walks with Jaya Penelope and sit in the audience with Elio from the Perth Poetry Club.

    I learnt about belligerent bunting from Davina (did you know it's illegal to put up bunting in Perth?). Thanks to Coral, Neil and the crew for a slightly surreal afternoon tea/drinks. Meeting and chatting to Sunil, Moly, Jake and Elizabeth, kindred spirits who know what it is like to come from someplace else. And to all the photographers who snapped so many great photos – I spent most of my time at the festival off my phone so I am super grateful for your photos!

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    I am so grateful to all of these beautiful people and all the others with whom I shared a conversation or a smile. You made my visit to Perth special and memorable. You turned your city into a welcoming community and made me feel as if I belonged. I'm going to treasure my visit always. People really do make a place and you brought your place to life for me, so thank you a million times and more.

    I had such a fabulous time that I didn't want to leave. I will definitely be coming back as soon as I can!

     

  • Perth Poetry Festival Finale

    IP - Finale 1

    IP - Finale 2

    The Perth Poetry Festival Finale was emceed by the fabulous Scott-Patrick Mitchell at the Switch Theatre on Wellington Street in Perth. I think this intimate venue was my favourite performance space for the festival. It was easy to make eye contact with all the members of the audience and tp see their reactions to my poems.

    I was the second performer for the evening and after thanking my lovely husband who was at home all week keeping the home fires burning and looking after our beautiful girls, Gary from WA Poets, who was manning the camera for the Zoom, wished me a happy birthday. At that point the whole audience burst into song! It was a brilliant way to start a performance.

    After the performance, Laksh, Gillain and Ro took me out to dinner at the Moon Cafe in Northbridge where we indulged in mocktails and a vegan ice cream for me for dessert. It was the perfect end to a wonderful birthday and a brilliant festival!

    Thanks Perth and all the lovely people Meet for making my trip memorable in all the right ways!