Tag: Never Seen

  • Not Very Quiet

    IP - Not very Quiet

    {Image Credit: Not Very Quiet website}

    I love the title of this online poetry journal based in Canberra. Not Very Quiet accepts poetry from women poets of all ages, ethnicities and backgrounds. Speaking up and having your voice heard, appreciated and valued is so important for women whose voices are ofetn ignored, demeaned or undervalued in mainstream media outlets. To find a place where women can speak freely about vital issues and have their work read by a global audience (all you need is an internet connection) is like coming home to your family after a long and tiring day out in the concrete  jungle.

    I'm so excited to have my second published poem appear in Not Very Quiet, Issue 8: Mask. You can read White Fragility here and while you're there, check out some of the other incredible poems published for this issue. There's a huge range of topics covered. It's the thing I love about prompts, everyone brings their own experiences and imaginations and the results are always eclectic and often surprising. Go on, go read some poetry, you'll thank me for it later!

     

  • Littlefoot & Co Spoken Word

    IP - Littlefoot & Co (March 2021)

    Last night saw me heading south to Bunjil Place in Narre Warren for the Littlefoot and Co spoken word night. Bunjil Place is an incredible venue. If you haven't had a chance to check it out, it's well worth the trip. They have an incredible program of events throughout the year and the building is state of the art.

    It was a wonderful night of spoken word and poetry with perfomances from first time poets right through to the 2020 Australian Poetry Slam Champion, Ren Alessandra. Spoken word gigs are a roller coaster of emotion as the poets take you on a wild ride through their experiences and imaginations. What I love about spoken word and the poetry community here in Melbourne is how welcoming they are. It doesn't matter if you're a novice or a superstar, everyone gets an enthusiastic reception. Of course, part of what makes this particular event so special is its hosts, Eden and Josh.

    It was only the second time I've perfomed live since lockdown ended and it was wonderful to be back on stage. For once, I didn't preplan or rehearse everything I was going to say. I wasn't even 100% sure what poems I was going to recite. I was too busy before hand to prepare so I decided to try something new and wing it!

    I had a few poems I was thinking about performing but it wasn't until the gig was underway that I made my final choice. I recited My Words and The Shift which are about the creative porcess of writing a poem and I finished with Never Seen which was published in Brownface, issue 100 of Cordite.

    It was interesting performing in this way – with no practice or preparation. I liked speaking off the cuff about my poems and I wasn't too nervous either. Perhaps it was because I wasn't trying to be perfect and get all the words to my intorduction right. Maybe it's because it was familiar and I've done it before. Whatever the reason, I really appreicated the feeling of being comfortable on stage and behind the microphone. I found I still knew My Words and The Shift off by heart even though it's been a while since I've perfomed them. It was like slipping into an old and familiar jumper that's cosy and warm. 

    The night ended with two original songs from a local songwriter and musician. This is one of the best spoken gigs in Melbourne and I'll definitely be going back for more poetry goodness!

     

  • Never Seen

    IP - Never Seen 3

    Image Credit: Roberta Joy Rich | I see you seeing me

     

    IP - Never Seen 2

     

    I'm super excited for my poem, Never Seen, to be published in Brownface, issue 100 of Cordite edited by Winnie Dunn.

    It's the first time I've had a poem published by a literary journal and I am over the moon! I still can't quite believe that my poem is in the journal alongside all the other incredible writers.

    You can read my poem and all the other fabulous pieces in this issue of Cordite here.