Tag: kangaroo skin

  • Craft Is Good

    IP - Life Is Good 1

    IP - Life Is Good  2

    IP - Life Is Good  3

    You'll be pleased to know that I do actually love the leather pouch I made when I was in Tassie. It's filled with so many happy memories of the people and place where I made it. It helped me to write and post about all the things that went wrong. Somehow acknowledging all my mistakes and dissatisfactions released them into the atmosphere so I could then focus on all the good things and there are so many!

    My friend taught me so many cool new things. I got to do some leather carving and stamping using some funky tools. I'm positive I have some stamping tools in a box somewhere at home (bonus!). I discovered a new tool – a style – which you can use to get your design from paper and on to leather. I used the style to carve the design on the lid of the pouch and the stamping tools to create the flower underneath.

    IP - Life Is Good  4

    IP - Life Is Good  5

    IP - Life Is Good  6

    The pouch and straps are made from cow hide. The toggle, hook and gusset are made from kangaroo skin. The toggle is made out of one piece of leather cut and rolled in an ingenious way. I LOVE elegant design. And making it yourself and this toggle does with of those things. I never would have known about it if I hadn't been doing craft with my friend. Working with other people is so good – you get a fresh perspective and new design ideas. 

    IP - Life Is Good  7

    I cut my first ever straps, sewed on a buckle and made a keeper for the buckle. For some reason I had convinced myself it was all too hard to do and I've been avoiding both for years. But really, like most things, it was super easy once I knew how.

    I am super grateful for all of N's time, skills and knowledge. Most of all for his generosity in sharing his materials, tools and time. He was the best teacher – patient, funny and kind. And I have the most beautiful pouch to remind me every day that life is good and people are kind.

     

  • Craft Lessons

    IP - Craft Lessons
    IP - Craft Retreat 1

    I had the best time in Tassie. The highlight of course was all the craft I got to do with my friend's 14 year old son. He's into all the crafts I love – leathercraft and woodwork – with the added bonus of being into blacksmithing, something I'd love to learn but haven't yet had the chance to explore. He has lessons with a local, self-taught blacksmith and has made his own forge. Unfortunately on this trip we didn't have time to fire up the forge but I definitely plan on going back next year for a blacksmithing lesson.

    I am incredibly envious of his outdoor campfire with homemade bench and tripod where he often cooks his lunch. Then there's the shed complete with workbench, vice and wood stove in one corner. And of course the forge under the eaves of the shed. Watching over everything is the surrounding bush and the scree on the mountain.

    He's making the most amazing leather bags and pouches as well as carving spoons of all kinds from wood on their property, forging pendants and tongs and making Viking chess sets. I could happily spend a long time looking at all the incredible things he's made.

    Of course I wanted to make one of everything when I saw all his incredible handmade items but I settled on a leather pouch, a mini book and a needle holder made out of huon pine. It was a tad ambitious trying to cram it all into two and a half days and I made many mistakes along the way!

    I managed to sew the straps on to the pouch backwards and the front went all wonky. I discovered both mistakes late at night when I thought I had finally finished the pouch. The next morning I got up super early to make the mini book while everyone was asleep. All was going well until it came time to cut the slits on the cover for the strap and I did them the wrong way. It was the ingenious strap design that I fell in love with in the first place (I love elegant and functional design) and I really wanted to make it work but I couldn't see how. I was super bummed at this point. Both the things I had attempted came up duds.

    It was when I was having a shower that I realised what I needed to do. (I find showers are so good for inspiration and clarity. I get my best ideas and poems when I'm in the shower.) I figured out I could turn the front of the mini book into the back and sew a little piece of leather over the cuts to hide them. It was a really good reminder to turn my mistakes into opportunities to be creative.

    And it was at this point I let go of getting everything made before I left. I realised I'd have to finish / fix my projects when I got home. Especially if I wanted to have time to make a needle holder.

    I guess you won't be surprised to learn that didn't turn out quite right either. Somehow the hole I drilled went wonky so we couldn't make it super long. I can get four of the leather craft needles I bought at Simon Martin Whips & Leathercraft into the case so it's not a complete bust at least. And I discovered that I love using a draw knife and it's now on my list of tools to get. I can see many more needle holders in my future!

    It was awesome doing so much craft in such a short space of time with such a great craft companion. And I am so grateful for all the lessons a super charged crafting retreat provided. I was reminded of the beauty of letting go, of seizing the opportunity to be creative and of loving the imperfections of my handmade items. 

     

  • And Here It Is…In Brown

    IP - And Here It Is...In Brown 1

    IP - And Here It Is...In Brown 2

    IP - And Here It Is...In Brown 3

    IP - And Here It Is...In Brown 4

    IP - And Here It Is...In Brown 5

    IP - And Here It Is...In Brown 6

    I couldn't help myself. I just had to make a version of the blue leather journal in brown. The blue leather clashed terribly with my brown scarf and mittens.

    Excitingly, I found the banksia button you can see on the front of the journal in my sewing cupboard when I was looking for something else. I love finding little gifts from past me. She rocks!

    The journal is the perfect size to fit one of my eco-dyed notebooks and a sketch folio.

     

     

  • Books Within Books

    IP - Books Within Books 1

    IP - Books Within Books 2

    IP - Books Within Books 3

    IP - Books Within Books 4

    IP - Books Within Books 5

    I've recently become obsessed with making leather journals. Since we've been self-isolating I've had a lot more time on my hands to make and also to write. And if you're going to be writing stuff down you definitely need more notebooks to write things in.

    Of course once you've made a notebook you then need, ahem, a leather journal to carry it around in. One with compartments for the notebooks plus a little slot for your pens so you can be all neat and organised.

    I made this cute little leather journal from vegetable-tanned kangaroo skin I got from Greenhalgh's Tannery about a  million years ago (right now I'm feeling super grateful to past me for her most excellent taste in craft materials and good sense in buying up big when she had the time and money). It's to store the sketchfolio I made to store the zen tangles I'm going to draw. I know, nuts. But then I've always loved having lots of little bags which go in a bigger bag and then get put into an even bigger bag. This is just the book version of my bag obsession (hmmm, I'm spotting a theme here. I seem to be quite obsessive lately…)

    I love it so much I think I'm going to have to make a brown leather journal to go with the eco-dyed notebook I made a while back. And perhaps some notebooks with blue/grey eco-dyed paper to go in this blue leather journal. After all, a gal's gotta be colour co-ordinated, right?

    Like I said, obsessed.

     

  • My Morning Routine

    IP - My Morning Routine 1

    IP - My Morning Routine 2

    IP - My Morning Routine 4

    IP - My Morning Routine 3

    For the last month I've been getting up early before the rest of the house wakes to write a poem each day as part of the Dirty Thirty challenge run by Abdulraman Hamoud on Facebook.

    I light one of these beeswax candles and then write in this gorgeous leather journal. I made both the candles and the journal and it feels really special to sit down and use both of them. Having beautiful, handmade tools lifts my spirits. And there's a lovely sense of pride and satisfaction when you can use something you have made yourself.

    IP - My Morning Routine 5

    It's become something of a peaceful ritual with which to start the day. It may not be the twenty pages of random writing as suggested by Julia Cameron in her book The Artist's Way but it is writing when my brain is still halfway between awake and asleep. It's been interesting to see what I can come up with in response to the prompts. When I've left writing a response until later in the day it has been much harder. My brain feels sluggish and there are too many distractions to concentrate fully on writing.

    Having carved out this quiet time for myself sets me up to take on the rest of the day and whatever it may throw at me. When everything goes pear-shaped as it all too often does, I have the joy of knowing I have already done something just for me. It's a priceless gift.

     

  • Leather Craft

    IP - TVC Leather 1

    IP - TVC Leather 2

    IP - TVC Leather 3

    A couple of weekends ago I was back at the Village Continuum Festival, teaching a lovely and keen group of people the basics of leather craft. It's my third year of teaching at the festival and the second time I've run the Introduction to Leather Craft workshop. At my first Village Continuum Festival I taught a two day shoe making workshop.

    It was lovely to be running the same workshop again – I felt as if I had a much better idea of what I was doing, how I wanted to run the workshop and what I wanted to teach. Of course the things I was teaching aren't necessarily the same as the things that the people in the class wanted or needed to learn from me. Sometimes a chance remark can spark a huge realisation and we don't even know.

    I love seeing people mastering a new skill. Megan from Canberra didn't have any sewing or crafting experience before the workshop. She chose to do the most difficult stitch and she nailed it. It was a good lesson for me in letting people do what they want to do without too much emphasis on how hard it is – sometimes if we don't know something is meant to be difficult we do it without any trouble at all!

    As usual, all the finished pouches were gorgeous and reflected the unique personalities of their owners. My favourite part of any workshop is seeing what people come up with using the same basic raw materials. There's always such a variety in the finished product even though everyone started with the same two pieces of kangaroo skin leather.

    We even had some cross crafting going on again with the calendula balm made by Sue in the Herbalism workshop being used to oil some of the pouches. Other pouches were burnished or waxed and some were left natural. Over time the oils from their owner's fingers will darken the leather.

    Thanks to all the lovely people who came to the workshop. It was such a joy to be working with you all!

     

  • Write Things Down!

      IP - Wallet 1

    IP - Wallet  2

    IP - Wallet 3

    IP - Wallet 4

    I take notes. I keep records. I make patterns. Most of the time. I made this wallet last year when I was in Canberra visiting my folks. I like to take some craft with me when I'm travelling. Having something I can do with my hands grounds and centres me when I am away.

    The wallet is made from dry kangaroo skin that has been vegetable tanned. Dry means that there is no sealer on the leather and it isn't protected from the elements. You can get roo skin that has been treated and will resist water etc but it leaves an oily residue on paper.

    I wanted to find a way to protect the dry leather that was 100% natural and I had an inkling that burnishing may be the go. When you rub the leather with wood or a smooth stone, you're burnishing it. I can't tell you the technical details of what it does to the skin because I couldn't find any online. In fact there wasn't much info online at all. So I made it up. And because I was away, I didn't write it down. I just did it. There was some beeswax rubbed on the leather either before or after the burnishing.

    And now I have this gorgeous wallet with an incredible patina from age and use. The oils in my fingers have deepened the colour and made it all glossy. I love it but have no idea how to recreate it! Next time I take craft away with me, I'll be sure to pack a pencil and paper so I can take notes along the way!

    If you want to learn how to make a simple leather pouch, I'll be back at this year's Village Continuum Festival teaching an Introduction to Leathercraft.