Tag: hand made

  • Making a Mark

    IP - Making a Mark 1

    Craft has taken a back seat this year while I have worked on other poetry-related projects (like my Cards for Poets which you can buy in my shop) so it was fabulous to be asked to teach an eco-dyeing workshop. In the way that these things work, I had been thinking about doing some more eco-dyeing for a while. There is something magical about the whole process of foraging for leaves, rolling them into bundles and then cooking them in a pot.

    Early Sunday morning, I gathered up all my pots, rusty bits of metal, copper rods and steel cans and took them across town to Niddrie. Niddrie is a super cute suburb with a huge main street, shopping strip with trams running down the centre. Melbourne is so huge – I'm always discovering new places that I didn't even know existed. I think I could live here for the rest of my life and still not know it all. Exciting thought!

    IP - Making a Mark 2

    We were dyeing at a gorgeous house right next to Steel creek. After I had set up all the materials and put the pots on to boil (it can take a while in my ginormous steel pot) we went for a foraging walk along the creek.

    We started out barefoot on the grass where I ran through some sense awakening exercises I learnt as a nature connection mentor with Firekeepers. It's super easy to walk through the world, in our own heads, without noticing the details of our surroundings. I also went through the respectful foraging rules – take from healthy plants, take a small amount, don't take from the first plant you see, only take from plants if there are lots of them. We want the pants to continue to thrive!

    IP - Making a Mark 3

    Then it was back to the house for the fun of bundling our leaves on wool or heavy duty 300gsm watercolour paper. With eco dyeing, it's all about the leaves and how you place the on the paper. There are so many different options for expressing your creativity and individuality which I love about this particular craft. The leaves you choose, where you please them, the material you put them on and how you tie your bundles.

    You can steam or boil your bundles. Steaming gives you a background that is the same colour as your material (in this case wool or paper) with hopefully fabulous leaf prints. Boiling adds colours from the leaves to the water which in turn soaks into the fabric and colours it. You can also choose to add more leaves to the pot. We had three pots on the stove.

    And then there's the pots themselves. Aluminium pots brighten your colours, copper pots bring out greens and steel pot don't have an effect. In the small aluminium pot we added some extra purple plum leaves and sticks from my street to get some purple happening. We also added some rusty nails and a horseshoe which darken colours. In the big steel pot went cinerea leaves (for orange) and other gum leaves to make a brown (we ended up with a purple/brown). In the aluminium steamer stack we just added water.

    One of the great things about eco-dyeing is that it is different every time because the leaves you choose are little time capsules that reflect that moment in the plant's life – the sunshine, the rain and the soil in which it grew. The water you use has an effect on the result as do all the little decisions you make along the way.

    IP - Making a Mark 4

    IP - Making a Mark 5

    And then after you wait for your bundles to cook, you have the surprise and joy of opening your little gifts to yourself!

    IP - Making a Mark 6

    The paper bundles all spread out and drying! Did you know that you can iron watercolour paper? Yep, it's true!

    So there you have it, another successful eco-dyeing workshop!

     

     

  • Sing Along

    IP - Sing Along 1

    IP - Sing Along 2

    IP - Sing Along 3

    IP - Sing Along 4

    IP - Sing Along 5

    Last year during lockdown I compiled a collection of songs that I learnt to sing at Firekeepers' events in and around Melbourne. Some of the songs were even learnt in online sessions when I hosted song circles with my ten year old daughter. I had a lot of fun tracking down the origins of the songs, finding their creators and the original lyrics. I also included links to audio recording where I could so anyone who reads the  songbook can learn any of the songs that appeal to them. I can't read music so being able to hear a song is the way I learn it.

    I printed out a copy of the songbook and bound it using some brown coloured cardboard I bought. That songbook was left with a good friend when I went to visit her so I needed to make a new copy. And being me, I decided to make a few (five actually) while I was at it. I love making more than one of something. I wanted to use some gorgeous paper for the covers and I had the brainwave of eco-dying the paper. I really don't know why I hadn't thought of it earlier. 

    So all that happened last year and the books have been sitting on my desk ever since. I did bind one back in February to give to a friend's daughter for her birthday but the rest have been waiting for me to get around to them. This being the impromptu weekend of craft, I finally made them into books.

    I can't wait to take one away with me next week when we go camping again with the Firekeepers' community. It's been 15 month since the last camp and we're all hanging out to be back in the bush, running wild.

     

  • Still: Books

    IP - Still Books 1

    IP - Still Books 2

    IP - Still Books 3

    IP - Still Books 4

    This book contains the poem, Still: Books, that inspired my process zine, Some Thoughts About Writing A Poem For A Journal. The zine details my creative process for writing this particular poem. There's an art to writing a poem for publication. It's an art I am struggling to learn. But I keep on trying and keep piling up the rejection letters. In the meantime, I'm making books and making art with my 'failures'.

    I always felt Some Thoughts About Writing A Poem For A Journal was the first volume of a two volume set of books. Volume 2 of course, would contain the poem referred to in Some Thoughts About Writing A Poem For A Journal.

    After making notebooks with eco-dyed paper covers I was itching to make one containing my poetry. And here it is. If you're interested in buying one, you'll find copies of Still: Books and Some Thoughts About Writing A Poem For A Journal in my shop.

     

  • It’s Beanie Time

    IP - Wool 1

    IP - Wool 2

    IP  - Wool 3

    IP - Wool 4

    IP - Wool 5

    I can't remember when I dyed these balls of wool. It was at least a couple of years ago in the midst of my eco dyeing frenzy. At the time I was dyeing anything and everything I could get my hands on. I was also doing  straight up dyeing. Most of these balls of wall have been dyed with plants stuck in a pot but there is a ball which I used to wrap around an eco-dyed bundled of something or other. It's my favourite.

    I'm pretty sure the dark brown is from walnut shells. The multi-coloured ball has some orange from cinerea and then whatever else was in the pot with the wool. The ball was originally tied around an eco-dyed bundle. Any string (or wool) you use to bind your bundles gets dyed in the pot. It's a beautiful example of accidental or incidental art.

    IP - Wool 6

    I've been wanting to make a beanie to match the eco-dyed scarf you can see in the pictures. The merino wool scarf was my first ever successful attempt at eco-dyeding after many failures. The beautiful fingerless gloves were a birthday present from a very dear friend. She hand-spun the wool and then knitted the gloves. With a scarf and gloves all I was missing was a beanie. With winter coming, it's time to do something about my lack of beanie situation. Luckily for me, I had thoughtfully dyed these balls of wool on a previous occasion.

    For some reason when I first dyed these balls, I didn't like the results. Crazy, right? They look incredible even if  I do say so myself. I think at the time they didn't turn out how I was expecting which blinded me to their beauty. With the passing of time, I've forgotten my original expectation and can finally see them in their true glory. Sometimes the only difference between success and failure is time.

     

  • Leather Journal

    IP - Leather Journal 1

    IP - Leather Journal 2

    IP - Leather Journal 3

    When I make things, they need to have a purpose. I might want a leather pouch to store an almanack for example. Or else I get consumed with the desire to possess something beautiful and feel compelled to make it myself.

    The latter was the case with this beautiful hand bound journal. My friend Kate came over to visit recently and she was sewing a journal to use at Uni. I fell in love immediately. The veg tanned cow hide was beautiful as was the stitch on the spine binding the pages to the cover. I was filled with must make!

    Luckily for me Kate was happy to barter some leather for an avocado button I had made. You can turn avocado pips into pendants, buttons and earrings with a small knife and a bit of imagination.

    When I first started making the journal I got very excited. I was having so much fun and it was so easy. I'd already ear marked money from next pay to buy some leather and was trying to figure out which paper would be the best to use for the pages. Not too heavy and not too light. Something with texture and durability. I imagines making lots of journals and selling them.

    And then it took longer than I anticipated. And it got trickier that I first thought. And after that I decided maybe one was enough after all 🙂

     

     

  • Sew Slow

    IP - Sew Slow 1

    IP - Sew Slow 2

    IP - Sew Slow 3

    IP - Sew Slow 4

    IP - Sew Slow 5

    I've been spending a lot of time lately creating in the digital space using my thoughts and ideas. If I'm honest I have to admit I'm a bit burnt out. There's only so much staring at a screen (no matter how creative I'm being) I can tolerate before my brain starts to turn to mush.

    In the last couple of weeks I've been making a tentative return to hand crafts. It's a strange process. Because it's been so long since I've made anything I feel a bit like a rusty old motor that's finding it hard to kick over. Sure I can produce a spark but getting the engine to rev and catch hold has been more challenging. At first I was feeling frustrated with myself for not being able to dive straight back in. Now that I've realised what's happening I can be easier with myself and take it slowly.

    The wonderful things with craft is you can take it with you wherever you go. I did just that with this leather pouch I'm hand sewing. I have a thing for bags and pouches. Especially custom made ones with hidden inner pockets. I'm making this pouch to store copies of the Pocktery Almanack. Next up is a pouch to store my leather tools  so I can take them anywhere I need to go. An awl, overstitch wheel, divider, ruler, needle, thread and scissors are all in my basic kit.

    What are you making?

     

  • A Snail’s Pace

    IP - A Snail's Pace  1

    IP - A Snail's Pace 2

    IP - A Snail's Pace 3

    It's been a long time since I sat and looked at a snail. Got down on my haunches and waited patiently for it to poke it's head out if its shell. So long in fact I can't remember the last time I did it. Or ever doing it at all in fact.

    The blessing of spending time with very young children in nature is they notice the small things. All the tiny details. They are alive to all the things in the world and they are curious about them. And they have endless time in which to sit and gaze at a snail.

    Go spend some time with small children and experience endless time. Warning: side effects include increased wonder and appreciation.

     

  • A Process Zine

    IP - A Process Zine 1

    IP - A Process Zine 2

    IP - A Process Zine 3

    Here's a little peek at the process of writing a poem (Still: Books) to a theme (It’s up to you – what inspires you in 2020) for submission to a poetry journal (Not Very Quiet).

    ~

    1. get excited about a new (to me) poetry journal
    2. discover the theme and get sad; not excited about 2020 at all
    3. create some fun things (see Pocketry Almanack), meet first nephew (so squishy) and become inspired
    4. leave poem to last minute
    5. sit down to write poem and get stuck
    6. write a poem about being stuck
    7. get stuck again
    8. write out a list of what inspires me and a list of what I am interested in
    9. tart a poem about the element gold and get distracted researching it
    10. do other stuff (wash clothes, make dinner, clean bathroom basin)
    11. read a fantastic poem that sets my mind on fire (Connor O’Callaghan’s January Drought from the Poetry Foundation email newsletter)
    12. use the poem as a template to write a poem, shoe-horning in lists from 8 above
    13. dither about referencing original poem in my submission
    14. email poet mate to ask her opinion
    15. receive response – fears confirmed, must cite
    16. conscience salved, begin submission process on Submittable in spite of sense of impending doom (#letsgetrejected or #totrure or #whydoidothistomyself)
    17. children on verge of melt down. reluctantly shelve lap top
    18. listen to children
    19. get overwhelmed by heatwave, lie on the lounge room floor
    20. sneak away to library, press submit
    21. wait

    ~

    I often fall into the trap of looking at a finished piece of art and seeing only the incredible end product. Of course there's no way to see behind the scenes of a poem (or any work of art for that matter) unless the poet invites you backstage to poke around in the props box and interview the actors. You can't see all the drafts, the tears or the tantrums. All you see is art.

    As I was writing the poem I wanted to share on this blog I scribbled down the steps I went thought to create it. That initial list turned into a poem, which then turned into a zine which also includes some of the notes I had made while writing the poem along with the other poems I wrote before I could attempt the piece for submission.

    My intention was to demystify the process of creation and invite you backstage to see how I wrote a poem to a theme. To share the messy and unpredictable nature of creativity. For me it was necessary to write a poem about how I felt about writing the poem before I could actually write the poem! In a way it was blasting the road bocks I had put in my way.

    I also went down a couple of interesting side tracks before pulling myself back on the path. In hindsight I can see they were red herrings but at the time I wasn't too sure of the final destination and so the exploring and discovery were a necessary part of the process.

    How do you deal with the vagaries of the creative process?

     

  • Shop

     

     

     

     

  • Shop