Tag: different

  • Poetry As Memoir

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    Over the last few years I have done a lot of online poetry workshops and I am super grateful for the technology that has allowed me to do so. However, there's something super special about being in a room of other people, all of whom are writing a poem at the same time. I don't know what the word for it is. I did coin the word craftyr a long time ago to refer to the experience of crafting together so perhaps writyr could describe the experience of writing in the company of other writers. Whatever you want to call it, it's magic – the act of writing in company.

    On the weekend I travelled to the gorgeous little Victorian country town of Woodend where I attended the Poetry as Memoir writing workshop run by Amanda Collins and Dave Munro. I know Dave through my monthly poetry group and have published both him and Amanda in the pages of the Pocketry Almanack so it was super special to spend a morning with them in the Woodend library, talking and writing poetry. We did some great exercises and mind mapping of the senses and talked about joy, appropriation and consent.

    To top it all off, we kept the poetry going by heading out to lucnh at a nearby cafe afterwards to eat and drink and talk some more. Even better, it was a crisp Autumn day and the drive there and back was delightful. I'm looking forward to more regional poetry experiences in the coming year. What about you? What are you looking forward to this year?

     

  • Top of the World

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    I've been living in Melbourne for over twelve years, driven through the city countless times and seen the Eureka Tower but never been to the top. When the girls were little the phrase 'I can see Eureka tower' was a bit of a running joke with them imagining they could see it in all sorts of places like Sunshine and Nunawading.

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    All that changed yesterday when we took the family to Eureka tower to celebrate our oldest girl turning seventeen. Seventeen! Can you believe it? I certainly can't. It feels like a heart beat ago when she was a baby lying on the floor at the mum's group catch up in Sydney. A mere breath since she took her first steps and spoke her first words. A flicker of an eye lash since she went into a shop in Buenos Aires and ordered some bananas, in Spanish. And now look at her – smart, stunning and funny. I love talking to her and hearing about all the things she's learning. How did she get to be so wise?

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  • Sabotage and Tradition

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    I was originally put off seeing this exhibition at the National Gallery of Victoria by the poster which showed a mash up of lipstick covered mouths. But my almost seventeen year old daughter was keen to go so I agreed (go on then, twist my arm to visit a gallery). I am super glad that she insisted and that I agreed to go. It was a good lesson in not judging book by its cover or an exhibition by its poster.

    Alexander McQueen, Mind Mythos and Muse was an excellent exhibition of the designer's work spanning a series of collections from his career. Sadly McQueen is no longer alive and the first room of the exhibition showed the collection that was two thirds complete when he died.

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    McQueen took images, be it from a medieval panting or the crystalline structure of gem stones and had them woven into fabric which was then cut and made into clothing. He used materials such as leather, wool and synthetics to create his designs which played with and deconstructed form and style – think super low crotch pants and upside-down lapels. His tailoring was equisite and made me want to visit a tailor and get a custom made coat! 

    Seeing this exhibition made me want to go out and learn as much as possible about McQueen, his life, career and design process. I am fascinated with how things are done and seeing behind the scenes. I appreciated the shots of the models getting dressed and goofing around backstage.

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    The gallery also commissioned Michael Schmidt to make a series of headpieces for the exhibition so we had a double dose of style and talent.

     

  • Kaleidoscope

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    A maze of mirrors.

    Coloured lights.

    Mesmerising music.

    And no exit signs.

     

    Welcome to Kaleidoscope where you have to find your way out!

     

  • Eating Out

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    One of my favourite things about this trip has been not having to cook dinner. I am feeling thoroughly spoilt and lucky as we have eaten out most nights even though we have been mainly staying in self-catered accomodation.

    With all my dietary requirements, it's usually a nightmare for me to eat out but all the places we've been to have had gluten free and vegan options marked clearly on their menus. It may seem a like small thing but it's the difference between feeling ostracised or included. When you can eat anything on the menu you take it for granted and revel in all the choices. When you can't, you stare at it the menu despair trying to figure out what won't make you sick or interrogate yet another waiter to find something you can actually eat for dinner. For me that's usually a super expensive steak and thank goodness I'm not vegetarian or I'd never be eating out.

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    Cycles at the Empire in Deloraine had the most amazing house-smoked trout omelette with roquette and aoli for lunch. Thai at Bushman's in Strahan served the most incredible prawn pad thai. The buffet on board the Spirit of the Wild had the best Tasmanian cold smoked Atlantic salmon (pictured) I've ever had – and probably spoilt me for life!. In Swansea at the Artifakt Cafe and Gallery I ate smashed avocado with poached egg and a salad with a most delicious dressing.

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    But the icing on the cake or the dessert to end all desserts was eaten at the Japanese inspired Raiida in St Helens. Coconut mousse topped with roasted rhubarb, coconut jubes and strawberry granita. It was so good people that we went back the next night just for dessert!

     

  • The Blowhole

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    Bicheno, east coast of Tasmania

     

  • Unexpected Sights

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    One of the things I love about traveling is the unexpected things that pop up on your journey. You're looking for a place to stay and you stumble across a great little cafe with the best burnt toffee almond slice you've ever tasted. Or you're trying to find the turn off to the beach and you end up at a waterfall you didn't even know existed.

    This afternoon saw us in the Freycinet National Park heading for the lookout to Wineglass Bay. It's part of the Great Eastern Drive on the East coast stretching fro Orford in the south up past Binnalong Bay in the north. It's billed as one of Australia's great drives. I have to say, the Tasmanian tourist board have a positive genius for naming places. There's the cabin of lagoons, Bay of Fires, Honeymoon Bay just to name few. Much more enticing sounding than pools water, red rocks and a sandy beach.

    Our walk up the hillside to the lookout for wineglass bay passed through the most incredible scenery. In an island of gorgeous landscapes and vegetation, it was another stunning setting for a walk with magnificent red rocks, rising jagged from the mountain's edge. Trees, mushrooms, flowers and birds all clinging to the side. Evidence of mammals although none actually seen.

    The view from the lookout was gorgeous but my money was on the walk the top. Sometimes it's about the journey, not the destination.

     

  • The Singularity

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    On our drive from Strahan on the wild west coast to Swansea on the east coast, we stopped in Queenstown on the lands of the Palawa People to do the interactive app, The Singularity. It was created by the The Unconformity, an arts organisation creating a cultural conduit into the west coast of Lutruwita (Tasmania).

    I downloaded the app while we were still in Strahan and it took us on a walk around key sites in this mining town. We had a map and a compass that used GPS to direct us from location to location. Music accompanied us as we walked through the streets.

    At each stop we heard a little bit of a story dramatically told by different voices. A story reaching back from the past and into the present that took us from a house near a water tank to the lookout on top of Spion Kopf. The story was evocative and a little spooky and I would recommend this one for the older kids in your family or at least the ones that are okay with a little creepiness.

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    The story had a great twist at the and it was fun trying to navigate through the streets and getting lost at times. It was great because it took us to places we wouldn't have otherwise seen on our visit. And I loved the idea of an interactive story app that guided you through a place. 

     

  • Cruising Along

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    After spending yesterday chilling out, we were ready to get super early this morning to catch our boat from the wharf in Strahan for our cruise on board the Spirit of the Wild up the Gordon river with the Gordon River Cruises. Our captain was Doug who sung us sea shanties last night when went to see the play, The Ship That Never Was. It's still early days in our trip but I think it's the highlight so far. Along with the drive through the Tarkine to get to the ferry at Corinna.

    We had a whole section of the boat to ourselves at the back of the lower deck. And thanks to my new sea sickness bands, I didn't feel seasick once! Our fellow travellers were a friendly bunch and the guides on board the board were helpful and enthusiastic. We had a commentary about things we passed as well as footage of actors playing the parts of key European historical figures such as Captain James Kelly and Lady Jane Franklin. As well as a First Nations person talking about the area.

    Our first 'stop' was to travel from Strahan out through the infamous gates of hell into the Great Southern Ocean where the roaring 40s prevail. We stood at the prow of the ship, holding on to the rails as we rode up and down the waves. It was like being on a rollercoaster – heaps of fun! Not so much fun for the sailors or convicts in the 1800s when it was called the gates of hell. So named because the channel entrance to Macquarie Harbour is incredibly narrow and shallow. Boats had to hug the shore to make it in and out. Or crashed on the rocks.

    In the late 1800s, William Damper came up with the idea to build a wall to dredge the sand in the harbour and make the channel deeper. He built a working model of the harbour before work began. It took convict labour three years and tonnes of stone to build the wall. As we sailed along the coast we could see the stops of the rock wall which extends from well inside the harbour, out past the heads. Cormorants were using the top of the wall outside the heads as perch when we went through.

    From Entrance Island at the heads, we travelled the 35km length of Macquarie harbour to the mouth of the Gordon river. Macquarie Harbour is Australia's second largest harbour, the largest being Port Phillip Bay in Victoria. We went past the fish farms in the middle of the harbour where we learnt that salmon are farmed in nets that are 20-30 metres deep and house some 40,000 fish. Apparently the ratio of 12 kilos of fish to a cubic metre is some of the best in the world. The salmon are brought here on fish transporters when they are 150-300g in size, then vacuumed up and transported away for processing once fully grown. They are fed pellets that contain number 27 to make their flesh  pink. In the wild of the Atlantic Ocean, they eat crustaceans that turn their flesh pink.

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    The Gordon river was incredible. Gliding upstream in the boat was like entering a zen zone of wilderness. It was quiet and the river was calm and still, reflecting all the vegetation on the banks of thriver as well as the clouds and the sky.

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    The best bit of the cruise was walking along the elevated boardwalk at Heritage Landing. A tree spotting trail had been created with gorgeous metal symbols placed next to different native Tasmanian trees.

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    Once you spotted the tree and its symbol, a nearby sign gave you information about the tree and its uses. After wandering through the Tarkine and wondering what we were looking at, it was wonderful to be in a place where you could easily identify and learn about the vegetation around you.

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    People from the ship were also there to answer questions and help you find the trees. Trees featured were: blackwood, celery top pine, horizontal, huon pine, leatherwood, myrtle beech, native plum, sassafras, scented paperbark, Tasmanian laurel and whitey wood.

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    Back on board it was time for a buffet lunch before a guided walk on Langerrarerouna, known to invaders as Sarah Island and home to a penal colony in the early 1800s. The colony was so bad it was known as hell on earth by the convicts and death was seen as a means of escape.

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    Our tour guide was Kiah, the main actor in the play we saw last night and she brought the same fantastic blend of humour and history to our tour around the island. We saw the remains of the penal colony and visited the sites of the ship building areas. There was a fantastic oven that had been built from bricks made across the water on the mainland. The roof of the oven is created from vertical bricks laid in a spiral pattern without any mortar. A fire is lit to one side of the opening and the oven can bake 400 loaves of bread with one load of wood and no smoke.

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    Before invasion, Langerrarerouna was visited seasonally by the Toogee and Mimegin people to gather swan eggs and meet with people in other tribes. Sadly, in the winter of 1833, sixty-one First Nations People were rounded up from the surrounding area and housed in the lower level of the Penitentiary before being shipped off to islands in Bass Strait. The story of the Tasmanian indigenous genocide is a myth we were fed at school. Along with all the other myths used to justify dispossession and colonisation.

    While there, the convicts on the upper level tormented them by pouring water through the floorboards and urinating on them. Sixteen of the First Nations Peoples died of white man's disease while imprisoned.  History is not pretty and the convict ruins on the island hide the brutal treatment of First Nations people at the hands of the invaders.

    I have conflicted feelings about this area and the pristine wilderness that hides such an ugly past.