Category: On Writing

  • Haiku in the Hills

    IP - Haiku in the Hills 1

    IP - Haiku in the Hills 2

    Back in August as part of the Sonic Poetry Festival, I attended the Haiku in the Hills poetry workshop facilitated by AJ D’Costa. We met AJ in the Dandenong Botanic Gardens on a crisp winter morning. Luckily for us, the heavens didn’t open as AJ guided us through the gardens, teaching us about haiku and giving us time to write poems. We ended the walk with a delicious picnic on the grass that AJ had packed and carried for us throughout the walk. It was a lovely morning and a beautiful way to experience poetry in collaboration with and connection to landscape and nature.

    IP - Haiku in the Hills 3

    After the workshop, AJ gathered our poems and put them into this gorgeous zine. I don’t often write haiku so it was wonderful to have a poem included in this collection. One that I am sure I couldn’t have written without AJ’s expert guidance. Thanks AJ for a fabulous poetry workshop and this amazing souvenir of a wonderful morning!

     

  • Anthropocene

    IP -Anthropocene 1

    I’m so excited by my copy of Anthropocene. It’s a chapbook published by the Queensland Writers Centre that contains four of my poems. Only two copies were made – this one and one other that was sold to raise funds for the Queensland Writers Centre. You know I love limited edition print runs and I don’t think you can get rarer than this! 

    IP -Anthropocene 2

    IP -Anthropocene 3

    IP -Anthropocene 4

    I was stoked when I found out my submission had been accepted for publication in a chapbook. These poems are close to my heart and it’s wonderful to see them finally in print.

    I had no idea what the cover of this chapbook was going to look like. All I knew was that it was going to be illustrated by Christine Sharp. Letting go of my work without knowing what the end result was going to look like was a real act of trust. I’m so glad I put my faith in Q Poetry! because the chapbook is gorgeous!! Fabulous design and layout and I adore the cover

    Thanks to the Queensland Writers Centre and Christine Sharp for taking my poems and turning them into a work of art!!!

    IP -Anthropocene 5

    Given the theme of this collection of poems, I think it’s fitting that the snails got to it first as you can see on the back cover. 🐌 

    Anthropocene by Indrani Perera
    Published by: Queensland Writers Centre
    Cover design by: Christine Sharp

     

  • Spring, Again!

    IP - Spring  again

    Can you feel it? Or rather can you smell it?

    There’s something about this time of year, when the flowers open their buds and show off their shiny new petals. With their opening, comes the heavenly smell of nectar borne on the breeze. It’s heady stuff I tell you and just what’s needed to wake up from the foggy winter slumber.

    I’m not sure what it is but I’m finding winter harder and harder to get through (it’s probably my age but shhhh! I’m trying to pretend it’s not happening!). During winter my energy levels get super low and by the end of the day all I want to do is sit on the couch and eat chocolate. Which I’m sure is not helping at all with feeling good and full of energy.

    But that’s now fading into the past because there are blossoms and bees getting busy, making honey.

    Time for me to start getting busy too! What are you excited about this spring?

     

  • Being

    IP - Being

    Late last year I had not one, but two poems, long listed for the University of Canberra Vice-Chancellor's International Poetry Prize! It was a huge honour to have my work recognised by the judges.

    Landline is a poem about old friends who you've know forever but hardly find the time to see any more. Life has moved you in different directions and you may not even live in the same city. But there's always the phone.

    Much to my amazement, the second poem, Notes From the Diaspora on Returning 'Home', ended up being shortlisted! I wrote this poem while I was traveling in Sri Lanka with my partner, daughters and parents. It was an incredible experience to hear my father telling us all stories about his childhood in the places where they happened. And at that same time feel a disconnection from a place that should be more familiar than it is.

    If you'd like to read my poems you can now buy this wonderful anthology where you'll also find the winning poem and other amazing poems fro the competition. This is an anthology to treasure and read again and again.

    Huge thanks to the University of Canberra for including my poems and recognising my work.

     

  • The Vice-Chancellor’s Poetry Longlist

    IP - The Vice-Chancellor's Poetry Longlist

    I had just decided to stopped entering poetry competitions. It's expensive and demoralising. I figured that my poetry (still) wasn't good enough to be at prize winning standard and I should stop throwing good money away after bad and instead spend it on something better like, oh I don't know, more matcha lattes. At least then I'd have a nice a nice experience to show for my expenditure.

    In physical sports like tennis there's a clear set of rules, an umpire to make decisions and immediate feedback on your actions. Plus all the adoring fans and sponsorship money. Unlike poetry on the other hand where you write a poem, show it to some friends who muter encouraging words so you decide to pay money and enter it into a competition and then wait to hear that someone else has won.

    Entering poetry competitions is a gamble. Not surprising really when you rethink about the number of poets (thousands for some of the major prizes) who enter these competitions for the very few prizes on offer – usually a first and perhaps a second prize and that's it. Standing out from the crowd is next to impossible, or so I thought.

    IP - The Vice Chancellor's Poetry Longlist

    It's funny how the world works isn't it? Not very long after making the decision to stop entering poetry competitions (bythrowing up my hands in the air and saying, 'I quit!'),  I came across an email in my inbox telling me I had been longlisted for the University of Canberra Vice-Chancellor's International Poetry Prize. Even though I had quit, there were still some irons in the fire so to speak from competitions I had already entered when I was in in a more optimistic frame of mind. 

    Not only was I longlisted for this prize, I was longlisted twice! The poems the judges selected were Landline which I wrote when I did Andy Jackson's poetry workshop last year and Notes From the Diaspora which was written earlier this year after I returned from my holiday in Sri Lanka. One of the judges is the Indian poet Mani Rao. I fell in love with her poetry and her voice where I heard her read in Canberra at the Poetry on the Move festival a few years ago. Having her choose my poems for the longlist feels like a huge honour. 

    I was chuffed! I have never been longlisted before and never considered for a prize of this stature. This prize is a big deal and there are a lot of poets I look up to and admire on the longlist including Shastra Deo, Coral Carter, Es Fong, Damen O'Brien and Sara M Saleh. Plus many more I am keen to read when the anthology comes out next year.

    Look at the company I am keeping, people, just look! Maybe, just maybe, I can write poetry that connects with people, that transcends, that rises, after all!

     

  • Perth Poetry Festival Workshops

    PPF 2023 Poetry Workshops

    While I was in Perth for the Perth Poetry Festival 2023, I attended every workshop that was being held while I was there as well as teaching my own workshop, Beyond Words, a Liminal Spaces workshop.

    Western Australian poet and spoken word artist, Scott-Patrick Mitchell, summed up it nicely when they said that attending workshops is an integral part of their poetry practice. Mine too, SPM, mine too! Being in a room with other people, all writing our own pieces to prompts provided by the facilitator is heady stuff indeed. I find it so inspiring. Not just the content provided by the facilitator but also hearing the poems written by the other people attending the workshops. There's a real synergy that happens when people get together to create something new, even if they are working independently.

    The first workshop I attended for the festival was Healing Through the Power of Poetry with Samantha Melia. It was held at the WA Poets Inc office on the third floor of the fabulously rickety and run down Bon Marché Arcade on Barrack Street in Perth's CBD. Samantha is a psychotherapist and poet with a fast wit and so many interesting stories. As well as writing poetry, I learnt so many useful tips for doing with stress and trauma.

    Later that afternoon Arianne True, the Poet Laureate of Washington State, shared Hermit Crab Forms in Poetry with us all. The previous evening after I performed at the Gala, Arianne had complemented me on my Recipe for A Poem which apparently was a hermit crab form. I was very confused about that comment until I attended her workshop and discovered that a hermit crab form is one that takes on the shell of something else, like a recipe, to protect itself.

    On Saturday afternoon I was at the Centre for Stories to learn about the Poetry of Human Suffering and Politics with Juan Garrido-Salgado. He told us about his life, growing up in Chile under the brutal regime of Pinochet and being inprisoned and tortured. We were invited to write a poem of protest and then ended with the group taking it in turns to read a poem by Pablo Neruda. Juan and his friends had travelled around Chile, performing this poem when they were students.

    Sunday saw me up early again. This time it was to attend the Dramatis Personae workshop with Caitlin Maling. We looked at the origin of personna which literally meant mask in Ancient Greek and represented the masks worn by actors when they were performing. I really enjoyed leaning into myth and trying to bring to life a story about a historical woman my father told me last year when we were in Sri Lanka.

    The last workshop I attended for the festival was Inherited Treasure with Jean Kent. Jean started us off with a metaphor warm-up to get our writing muscles in prime form. She then read us one of her poems and handed out little boxes filled with intriguing objects. After selecting an object, we were invited to write a poem using our emotional response to that object as well as a detailed physical description of it.

    So many prompts and poems and people crammed into the space of a long weekend! I have to admit that by the end I was flagging. Five workshops in three days was a huge ask. Especially since it's been a long time since I was a full time student! But I gained so much from all the workshops that it was well worth the effort. A huge thanks to WA Poets Inc for curating such a wonderful range of workshops!

     

  • Complicit: A Visual History of ‘Australia’ Since Invasion

    IP - Complicit

    Complicit: A Visual History of ‘Australia’ Since Invasion is my first foray into what I am calling text art.

    I've been thinking about Australia's history and the way it and any history warps and shifts over time depending on who is telling the story.

    When I was in primary school the official history was that the settlers discovered a fertile land inhabited by nomadic hunter gatherers who didn't farm or manage the land in any way. Those same settlers couldn't believe how fertile the soil was and I was taught that we got rich 'on the sheep's back'. What I wasn't taught was that the Australia's Indigenous Peoples had the world's oldest surviving Cultures and that they used sophisticated land management techniques to live in harmony with and care for Country. I also didn't learn at school about the massacres, the stolen generations and the brutal and bloody Frontier Wars.

    This poem was an attempt to rewrite the history I had been taught in a concise format. There are many layers to any story and I decided that a visual representation would carry what I was trying to say. I wanted the poem to look like it could hang on the wall of an art gallery so I also wrote design notes like you see hanging next to paintings at the NGV. 

    Axon: Creative Explorations is an online journal published by the University of Canberra and I was so excited when the guest editor, Caren Florance, choose this poem for Issue 13.2. I am huge fan of Caren's work and I own her poetry collection, Lost in Case, which was published by Cordite Books. Working with her to refine my poem and write the Contextual Statement that appears at the end of the poem was a wonderful experience.

     

  • hakara

    HakaraSeeing poetry in other languages really excites me. I only speak English with a smattering of German, Spanish and Sinhala (which I cannot read, yet!) so I can't understand the letters I am reading. Nevertheless, my eyes drink in the beauty of those different words while my mind wonders if shaping them on my tongue and sending them out to catch a breeze will change the way I think or see the world.

    I love the shape of languages that don't use the Roman alphabet that I grew up with. Those upright and proper letters shaped my body around the page and the act of recreating it with my hand.  Unlike the Sinhala script of my father's first language which is all curves and swoops. It bends into the page as if it were still the palm leaves that were originally used to write upon.

    Given my fascination with languages other than English, you can imagine my excitement when I discovered the Indian journal, hākārā, which publishes poems in both Marathi and English. It's a bilingual online journal of creative expression. As well as a peer reviewed journal that encourages the 'innovative nature of literary and visual images, critical artistic practices and developments that inform the contemporariness of the medium.'

    When I saw that they had an open call on the theme of repetition, I set to work to write some new poems. I've come a long way in the years since I first attempted to write a poem in response to a journal's theme. Now I know to come at it sideways. To peer at it through blurry lenses. To flip it upside down or turn it inside out.

    It's hard to describe or explain the process in more detail but I must have done something right because they liked what they saw! You can now read my two poems, $7.86 and Iteration (October 2022) over on the hākārā website.

     

  • Shortlisted for the Jean Stone Poetry Award

    Jean Stone Short List - ME!!

    I am so chuffed that the judges shortlisted my poem, At the Foothills of the Dandenong Ranges, for the Jean Stone Award given by the NSW Branch of the Fellowship of Australian Writers.

    It’s always an amazing moment when your fellow writers see something special in your work and I don’t think that I will ever get used to the giddy feeling of excitement that comes with this sort of recognition. Especially as this is only the second time I have had a poem shortlisted for a poetry prize! Writing is a solitary pursuit, so its nice sometimes to hear things back when you send your poems out to make their way in the world!

    This poem is super special to me. I wrote it about one of my early morning bike rides to the platypus reserve near my house. The writing of the poem cemented this moment in my memory and coloured in its edges. It’s a reminder that words are powerful and that they can make things seem more real. They can also help you to remember those things that are so easily forgotten –  those precious moments of joy.

     

  • Shortlisted for the Jean Stone Award!

    Jean Stone Short List - ME!!

    I don’t think I’m ever going to grow tired of hearing that a poem of mine has been shortlisted for a poetry award.

    This time around it’s my poem, At the Foothills of the Dandenong Ranges, that has been shortlisted for the Jean Stone Award run by the Fellowship of Australian Writers’ New South Wales Branch.

    The poem and the moment it describes are burnt into my memory. Somehow the act of writing words to capture the experience has burnt it into the grey matter of my brain. I know I’ll never forget the experience of riding my bike along a suburban footpath and the moment a noisy native miner chick flew past my face. And that feeling, that rush of air, those pedals churning, that bird her wings flapping – it’s all as alive as it was in the moment that it happened.

    There have been many moments since then, most consigned to the dust bin of forgetfulness. But this one, immortalised in words, lives on. I don’t even need to read the poem because the act of writing it cemented it in my brain. A beautiful side effect of the art of poetry.

    Having this poem shortlisted was a lovely surprise. I’ve been entering as many competitions as possible this year, spending all my pocket money and loose change on entry fees. I figure, you’ve got to be in it to win it. It feels a little like gambling but with (hopefully) the element of talent replacing the element of luck! No wins yet and as usual many more failures than successes but it’s moments like these, when someone sees something in your poetry that moves them, that keep me going.

    Thank you to the NSW branch of the Fellowship of Australian Writers for shortlisting my poem!